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All photographs taken from Phenomena of
Materialisation by Baron von Schrenck-Notzing (1920, Kegan Paul, Trench &
Co. Ltd, London). Most important images in bold.
Fig 19: Author's flashlight photograph of 11
November, 1910. Magnification of portion of Fig. 18.
Fig 22: Drawing after record of sitting of 18
November, 1910.
Fig 26: Drawing after record of sitting of 13
March, 1911.
Fig 95: Mme. Bisson's flashlight photograph of
24 June, 1912.
Fig 103:
Author's first photograph of 5 August, 1912.
Fig 108: Author's third flashlight photograph,
5 August, 1912. Enlargement of Fig. 107.
Fig 116: Author's flashlight photograph of 2
November, 1912.
Fig 118: Author's flashlight photograph of 27
November, 1912. Front View.
Fig 119: Side View (enlarged) of Fig. 118.
Taken within the cabinet.
Fig 120 and 121: Author's flashlight photograph of 30
November, 1912. Fig 121 (inset): Side view of Fig. 120.
Fig 122: Author's flashlight photograph of 30
November, 1912. Enlargement of Fig. 120.
Fig 136: Mme. Bisson's flashlight photograph
of 19 January, 1913.
Fig 138: Mme. Bisson's flashlight photograph
of 23 February, 1913. First photograph of an entire phantom, together with
nude medium. (retouched).
Fig 140: Mme. Bisson's flashlight photograph,
simultaneous with Fig. 138. Whole phantom, with nude medium. (Retouched).
Fig 141: Author's first flashlight photograph
of 6 March, 1913 (from above, inside cabinet).
Fig 142: Author's second photograph, 6 March,
1913.
Fig 143: Side view, enlarged, of Fig. 142.
Fig 149: Mme. Bisson's flashlight photograph
of 2 May, 1913.
Fig 150: Author's flashlight photograph of 9
May, 1913.
Fig 181: Imitation on gold beaters' skin.
Fig 182: Imitation on chiffon.
Fig 183: Author's photograph of 27 November,
1912, enlarged. (Fig. 119 repeated.)
Fig 184: Top left: See Fig. 183.
Bottom left: Author's attempt to imitate Fig. 183 by exposing the title
page of "Miroir" against Eva C.
Top and bottom right: Imitation experiments with title of "Miroir" and
portrait of President Poincare, by Dr. Hauberrisser. Photographic
conditions the same as at the sittings.
Fig 185: Portrait of Mme. Leconte. Title page
of "Miroir", Paris 4 August, 1912.
Fig 186: Author's third photograph, Munich, 5
August, 1912.
Fig 187: Portrait of the Actress Monna Delza,
published in "Femina" April, 1912.
Fig 188: Author's flashlight photograph of 30
November, 1912. (Reproduction of Fig. 122).
Fig 189: Left: Phantom photographed in the
sitting of 13 February, 1913. (Fig. 140). Right: Portrait of the king of
Bulgaria from "Miroir" with white mantle to resemble phantom. Below:
King's Head enlarged.
Fig 190: Portrait of M. Deschanel from title
page of "Miroir"
Fig 192: Photograph of 2 May, 1912.
(Reproduction of Fig. 149).
Fig 193: President Poincare's portrait cut
from "Miroir" and photographed by author with Eva, under photographic
conditions, as at the sittings.
Fig 194: Photograph taken 6 March, 1913.
(Reproduction of Fig. 143).
Fig 195: Top: President Poincare, as published
by "Miroir".
Bottom left: Manipulated tie and shirt-front from the phantom (Fig. 194)
published by "Matin" 26 December, 1913.
Bottom right: Collar and tie from above portrait, published by "Matin" of
26 December, 1913.
Fig 196: Mme. Bisson's photograph of 19
January, 1913. (Reproduction of Fig. 136).
Fig 197: Right corner: President Wilson's
portrait from "Miroir" No. 34, 1912.
Left: The same artistically treated to resemble Fig. 196.
Fig 198: Mme. Bisson's photograph of 7
January, 19.
•
The Rumination
Hypothesis by Baron von Schrenck Notzing
•
Expert Opinion on the
Fraudulent use of Certain Materials in Producing Teleplasmic Images by
Baron von Schrenck Notzing
•
Front Page Illustrations from
the Journal Le Miroir by Baron von Schrenck Notzing
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